#and then i can just find the instructions online

[autumnrory]

was in that waiting for a text so i know if i have to leave the house or not mod which is v annoying but since i didn't wanna take the time to change clothes if i didn't have to i did some of the picking up in my room that i have put off for basically no reason like it's not really better but just a few things that have been sitting around and making it harder to get around than it already is SO it was nice to be a little productive

[jrueships]

guess whos not going in at all this week, actually

[dragoninahumancostume]

My favorite part of being alive is that I've never felt welcome in any space except for that one year when I thought I was a non-binary bisexual asexual girl when I was 13 :)

[cerbreus]

baking never feels more like science to me than when i'm trying to cobble together an intricate multi step recipe together from several different recipes and tutorials online because the recipe I'm imagining doesn't exist....

[unopenablebox]

in theory there is a series of next classes on sewing machine use to take, featuring instructions on various techniques

but as far as i can tell learning to assemble a tote bag has taught me everything i need to assemble drawstring project bags, which is what i actually got into this to learn to make in the first place

so im just going to book sewing machine time for next week, pre-cut some fabric i already have at home according to a drawstring bag pattern i found, and just. try making things?

[haemey]

Aaaaand that's why I prefer charts tonwritten patterns. Itxs so much easier when you can just see what you're supposed to do. Also makes counting way easier, becaude you can just look at where you're supposed to be in the pattern instead of doing calculus in your head

Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.

Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU

[selfcarecap]

Practice [L.H]

pairing: Logan Howlett x reader

summary: Your roommate Logan lets you practise giving a blowjob on him for your date with another guy.

warnings: smut, 18+, oral sex (f&m receiving, reader’s first time), Logan is a liittle mean but just a little and he gets softer towards the end, spitting,  jerking off, Logan keeps his socks on I think it’s hot okay 😭😭, Logan calls reader bub, baby, good girl, pretty girl; Wade is mentioned but I’m imagining a younger Logan than in DP&W

word count: 3.2k (this was supposed to be a drabble lol idk what happened)

“Who’s the lucky guy?” Logan asks from the sofa as you walk past him in your pretty date outfit. You’ve got some time left before your date but you decided to get ready early in a bout of nervousness.

“This guy I’ve been seeing,” you tell him, trying to seem nonchalant. You haven’t yet mentioned to Logan that you’ve been on a few dates. He spends a lot of time in his room, away from you and Wade, and he just never happened to be there to hear about your dates.

Logan mutes the tv. “What guy?”

“Met him online.”

“And he’s so good to you that you get this pretty for him?”

You smile at his indirect compliment and sit down next to him.

“Yeah, he’s nice. I… I think we might go a step further today,” you feel your cheeks heating up, “I’m kind of nervous.”

You see his jaw clench slightly, “If he’s a good guy he shouldn’t make you nervous.”

“I’m not nervous because of him, it’s just that it would be my first time. And I don’t want to be bad.”

He chuckles and leans back, “You won’t be bad. Just make him go on top.”

Logan isn’t taking your hint, so you take a deep breath to gather your courage. “What if he wants me to go down on him and I don’t know how to do it? Will you…” your voice falters as his eyes meet yours.

“Will you help me?” you stutter and Logan immediately begins to smirk. Embarrassment spreads through your body.

“Help you how?” He asks, smug.

It’s too late to go back now. “Well, I don’t know. Like, explain how it works or.. you could show me?” you shrug.

“You probably know better than me how to find porn online.”

“No, I mean show me on you.” That’s all the courage you can muster for the day and you wonder if you will even have the strength to look back into Logan’s eyes. He solves that problem for you, putting a finger under your chin and pushing it up so you’re looking at him.

“You wanna suck my cock?” He sounds annoyed and you immediately want to die.

“It wouldn’t have to mean anything,” you look at his cheeks, his nose, anywhere but his eyes, “I just wanna know if I’m doing it right. It’s okay if you can’t cum, I just want to practise.”

Logan scans your face for a sign of discomfort – other than your embarrassment – but he doesn’t find any. His features soften, “You really wanna go down on me, bub?”

You nod quickly, “For practice.”

“Mhm, for practice.” He’s mocking you, but all you can do is ignore it.

A thrill shoots through your body at his next words: “C’mere then.” He spreads his legs, clothed in jeans that strain around the thickness of his delicious thighs. You can see the outline of his abs through his tank top. You can’t believe this is happening – you’ve had a crush on him since you saw him for the first time.

Logan beckons you between his legs and you move to sit on the carpet, its fluffiness stopping your bare knees from hurting. Your short skirt rides up your ass and you pull it down self-consciously despite what you’re about to do.

“You sure about this, bub?” Logan asks again from above you. You gulp when you look up at him. How does he look even better from below?

“Yeah,” you assure him, your panties already growing wet. You sit down and try to patiently wait for instruction but you end up squirming. When you look back up at Logan he’s got one of his eyebrows raised.

“You don’t know how to open a belt either?”

“Well, yeah but don’t we have to–” your mouth starts to water when the rough clink of his belt interrupts you. He’s all but ripping open his belt; he unbuttons his jeans and takes out his hard cock. You almost get goosebumps.

“Oh,” you say.

“If a guy likes you, he doesn’t need any time to get ready. Foreplay is just to get the woman nice and wet,” Logan tells you, although you’re barely listening. All you know is that you wouldn’t need the foreplay either, you’re uncomfortably wet, trying to get friction against your legs that are folded underneath you.

Logan watches you stare at his erection, “Take your top off. I like seeing your pretty face but that’ll make it an even nicer view.”

“But I’m not wearing anything underneath,” you thumb at the thin straps of your top.

He smirks, “even better.” He reaches down to pull the top up by your waist but then hesitates.

You nod but Logan rolls his eyes. “Use your words.”

“You can take it off,” you say but you nevertheless put your arms in front of your tits when he pulls your top over your head. 

Logan chuckles, “Baby, I’ve been dying to see your tits since I first met you. You really think you gotta hide?” The nickname makes you melt and your arms immediately drop to your sides. 

You sit up straighter as Logan lets out a low moan, “God, look at you. So fucking perfect.” He reaches out to grope your tits almost clumsily. His cock bobs in front of you as he leans down to touch you and you feel yourself getting addicted to him already. You just want to start.

With a last rough squeeze of your tit, Logan leans back. “Wet your lips,” he instructs. You lick your lips.

“Wetter,” he says, and your eyebrows crease in confusion as you lick your lips again.

Logan huffs, spits into his hand, and smears his spit over your mouth, “There. Don’t you look fucking pretty like this.” You just about purr against his hand and then push against it with your cheek.

You place your hands on either of his knees and lean in to kiss the tip of his cock, all swollen and ready. You immediately feel the urge to go further but your shyness takes over, so you keep pressing wet kisses to his length.

“God,” Logan groans, leaning his head back in pleasure as you keep kissing, and you start to use some more spit.

“Look at you, don’t even need me to tell you what to do,” he pulls his arms behind his head smugly, like an asshole, and you smile, getting shy again. You kiss along the underside of his cock some more, getting more desperate with every second.

“What now?” You ask. 

Logan softly smiles at you for a second, pulling his jeans and boxers further down his thighs. You pull them off completely as he pulls off his top. He’s naked in front of you now, except for his socks, and you take a second to appreciate all the broadness and his muscles. The hair from his chest all the way over his abs and down to his cock is begging for you to kiss every inch of it but you force yourself to focus.

Logan takes his cock in his hand to lift it out of the way, and slowly starts to jerk off. His eyes go to you and then to his balls, and you get what he wants you to do. Still, he gives you one word: “Lick.”

You move forward, inhaling all his manly smell, instinctively going to press another wet kiss to his cock. You let spit pool in your mouth and begin to lick all over his balls, feeling the heaviness of them on your tongue.

“Take as much as you can, baby,” he rasps, continuing to jerk off. You almost slap his hand away – you want to be the one making him feel good – but you stop yourself.

You do as he tells you, opening your mouth to cover as much of him as you can, the warmth of his balls against your tongue making you drool.

“Yeah, baby, juuust like that. That’s a good girl,” he breathes heavily.

Your pussy clenches around nothing at his words, and you have to take a deep breath to focus on anything but the wet ache between your thighs.

His balls move against your tongue from his jerking off, and you gently suck on the skin, moving around a few inches every few seconds. But the movement from his hand on his cock is becoming distracting and, without thinking, you instinctively push his hand away. 

He stills and then smiles, lifting his hand away. He lightly leans his elbows on the back of the sofa to the sides of him. 

“You can start sucking my cock now if you’re ready, baby. Been doing such a good job.”

“I don’t know if I can take all of it,” you pout. Even just imagining his dick down your throat feels too much, though not in a bad way. He’s just so fucking big. 

“Just take as much as you can. I bet you can take more of me than you think.”

His words motivate you. You go up slightly on your knees, carefully wrapping your hand around his cock. You spit on it, letting it slowly slide down the sides as you begin to spread it with your hand. 

Logan huffs out a laugh from above you, “So adorable. You don’t need to be so careful. Here, do it like this.” He wraps his much bigger hand around yours and he starts to jerk off with your hand, showing you how rough you can be as he starts to fuck your fist. 

You clear your throat, “Can I use my mouth now?”

He bites his lip, “Ready when you are, baby. Just breathe through your nose and relax.” Oh, you’re relaxed. Being between Logan’s meaty thighs is the best you’ve felt in your life. 

You press another kiss to the tip of his cock and part your lips to take him in your mouth. The first second you feel the heaviness of his cock on your tongue is like heaven. Logan lets out a low moan and you look up to find his eyes already on your face. He looks like a god from below, his muscles starting to glisten with a thin layer of sweat.

Opening your mouth wider, you take more of him. You start to jerk him off where your mouth can’t reach but you do your best to go as deep as you can, moving up and down with your wet mouth.

The feeling of Logan’s cock in your mouth is addicting, and the quiet sounds he is making even more so. 

“Doin’ so good for me, baby,” he whispers, voice weak. You look up into his eyes as you suck his dick, spit starting to run down your hand, and a smirk spreads on Logan’s face.

“Such a pretty girl,” he leans his head back.

Your jaw is starting to strain because he’s so big but you never want to stop doing this. You swallow down the taste of his precum and can’t wait to actually make him come. He’s starting to pulse in your mouth, abs contracting with every time your tongue moves.

You’re wondering how much long–

“Y’gonna make me come, baby. Gonna come so hard,” Logan moans, and you figure he’s warning you but you want nothing more than his cum in your mouth.

You put in all the effort you can, sucking Logan’s cock further down your throat, cheeks hollowing. You start to feel him at the back of your throat, spit spilling from your lips.

Logan groans, and then he’s filling up your mouth, pumping his cum down your throat as you eagerly swallow. You look up at him through your lashes, taking in his face, his eyes shut and mouth hanging open in pleasure as a long, almost pathetic, groan comes out.

He’s coming longer than you’d expect, coming in your mouth in sticky ropes, a hand guiding the back of your head. You still pout when he’s finally drained and he slowly pulls his hips back.

Logan sighs a last breath of pleasure and holds his hand in front of your mouth. “What?” you ask.

“Spit.”

“Uh, I swallowed,” you say.

“Really?”

You stick out your tongue for Logan to see your empty mouth.

He smirks. “God,” he huffs, “so fucking perfect. C’mere.” He pulls you up to the sofa and sits you on his lap, your bare chest against his. Logan pushes his mouth against yours, kissing you like he’s filled with a new desire, as if you didn’t just make him come.

You don’t get to kiss him for very long though, because he pulls you to lie down on the sofa, turning so your legs are spread around him.

“‘m gonna show you what it’s supposed to feel like for someone to eat your pussy. Just so you know your date is doin’ it right, ‘kay?”

What date? You almost ask. You remember for a second but then, looking at him, all of your thoughts are replaced with Logan again. “Yes,” you nod hornily, “Please.”

“There you go, got you even saying please now. You want it that bad, huh?”

All you can do is nod as he pulls down your skirt and panties. He almost goes cross-eyed when he sees your pussy for the first time.

“God, baby, you coulda said something. Such an eager little thing. You got that wet from having my cock in your mouth, hm? Gonna make you come so good, yeah?”

You nod again and he bends down to press another sloppy kiss to your lips, kissing down your neck and stopping at your chest, “Can’t get enough of these,” he plays with your tits, desperately grabbing at them like a man seeing a woman naked for the first time.

He smiles up at you when he realises how much time he’s spent at your chest, pressing a last kiss to your sternum before placing one of his big hands on your tit and kissing further down. You assume he’s going to stop before he gets to your pussy, just to tease you, but he kisses all the way down from your belly button to your clit, starting to make out with your pussy.

“Logan,” you moan, your hand flying to his hand on one of your boobs.

“Feel good?” He asks, and you almost faint when you look at his head pushed between your thighs. He looks exactly right, as if this is where he was meant to be the entire time.

“Mhmm.”

He chuckles against your pussy, tongue darting out to play with your clit. The ache between your legs starts to get worse with him there, and you feel your pussy clenching around nothing.

Logan smirks and pushes your thighs further apart with a rough hand. He starts to gently rub your clit, and you’ve finally got the friction you’ve been needing this entire time. You’re already close. 

You let out an involuntary moan as he pushes his thick middle finger inside you, and you grip his hand on your tit harder, and he squeezes you there, lovingly. 

“I got you, baby,” he says into your pussy before starting to fuck you with his finger, pushing another one in as he begins to rub a sweet little spot inside that you can never reach yourself. 

He leans in to start licking your clit again, circling it with his tongue and, ever so slightly, beginning to suck. 

You’re so close, the waves of pleasure almost, just almost, flooding over you. You squirm, your knees pushing together, held open by his broad shoulders. 

Logan sucks harder, fingers fucking into you with your clit pulsing against his tongue. 

It only takes a few more seconds of Logan’s mouth on your pussy for you to come. Pleasure explodes within you and floods your entire body as you arch your back, pushing further into him and his wet mouth and thick fingers.

Logan doesn’t stop until you’re satisfied and your legs go numb around him.

He grins at you, biting his lip to stop his smile from spreading too far, and he presses a kiss to the middle of your belly, squeezing your tit gently before letting go. You feel cold without him there.

With your legs still around him, you instinctively pull him in and he lies down next to you on the sofa, gently caging you against the back of it to give you the more comfortable side as he balances on the edge.

“You wanna know how good you taste?” Logan asks, not waiting for an answer before he kisses you. You slide your hand behind his neck to pull him in, tasting yourself on his tongue.

He stops kissing you. “So.. you still going on your date?”

You feel your cheeks getting hot, “What if I told youuu…” you twirl a strand of Logan’s hair that’s hanging over his forehead, “that there never was a date. Or a guy.”

Logan breaks out in a smile, “You were too shy to ask me to fuck you so you made up an entire person?”

You hear the key turning in the lock in that moment, and even though you’ll be covered by the back of the sofa Logan shields you with his hands as best as he can, reaching for your clothes.

Wade comes in and you immediately sit up, holding Logan’s hand and forearm to your tits to cover them.

“Guess what happened?” you squeal at Wade.

Wade’s eyes go over to you and then to Logan, and he drops his bags of grocery shopping to jump up and down, “Was it my plan? I told you my plan would work!”

You grin, “It was your plan.”

Logan looks between you and Wade, rolling his eyes but he’s unable to hide a smile.

“It was a good plan, right? I told her she could just ask you out but she was too shy so I told her to make up a guy she’s dating,” Wade explains.

“Alright,” Logan laughs quietly, “Now fuck off so I can fuck my girl again.”

Wade’s eyes go wide and he says what you’re thinking, “My girl? I’d faint if he called me that. You owe me,” he points at you.

You blow a kiss at Wade and he pretends to catch it, pressing it to his lap. You roll your eyes and smile, waving at him, “You heard him, we’ve got stuff to do.”

The almost animalistic smirk Logan gives you when Wade is gone should scare you, but it only makes you want him more. He picks you up in his arms, carrying you to his room. You can’t wait for what’s to come.

-

P.S. Logan thinks good girls reblog and comment on the fics they enjoy 🩷🫣

[wolfies-toys]

I've been sitting on this pattern and tutorial for a while now! so time to finally share it with you! I was lamenting that the jellycat pip and sugar mice were long retired and difficult to get your hands on unless you are willing to pay much more than they retailed for each mouse, so i decided to try and eyeball a pattern and make some myself! they're not exact as i only used constructed visual references but they're close! please note that this pattern set is intended for personal use only. Rough tutorial under the cut!

This pattern is for printing onto A4 but you can check your scale with the measurements I've provided or just play around with how big or small you want to try and make them! i didn't really get any wip photos of pip mouse but it's method is largely the same with the nose being the major change, which i will detail in text in the instructions below.

for sugar mouse i would recommend using polar fleece as it will act the right way for the ears to do their squishy marshmallow looking thing. but minky should also work or other similar fabrics! for pip mouse if you can find a similar curly looking fabric with a thin backing that'll be ideal but fleece will also work well, you just wont get the furry texture, you want a fabric with a little bit of stretch to it. i however would not recommend fabrics like felt or non stretch cotton for these guys as it's likely to not take shape the same as there's no give to the fabric.

once you have printed out the pattern and cut the pieces in your fabric, you'll want to sew the ears up and turn them inside out, then put them aside for later. just leave them as is for now but here you can see i was playing around with pinching the turned through ear into shape.

Then moving on, sew the back pieces together along the spine and front of face. you then want pull the bottom open ends apart gently and place the open sides flat up against the base piece so that they're aligned, it can be good to pin this in place so it doesn't shift.

then, get your tail rope, and tie a knot at either end, placing the base of it inbetween the seam at the butt so that it'll sit in the right place, then sew the seam up directly with the tail in place, make sure you sew through the rope to secure it and make sure it doesnt shift. Sew around the bases seam leaving a hole in one side so that you can then turn your mouse through.

once turned through you will want to stuff your mouse with polyfill quite a bit so it takes shape! i like to put weighted beans in mine for extra effect, you can use dried rice or wheat too, just sew a little circle pouch a bit smaller that the mouses base with scrap fabric and fill and seal! then insert into the turning hole while you stuff. once stuffing is done you can sew the hole up with a ladder stitch. the weight from the beads will allow your mouse to sit up quite well.

next you will want to get those ears you put aside, take each corner and bring the ends together in the middle. then sew them gently together at the ends with one or two stitches in about the same spot. you want them to look 3d so dont sew the ends to the back of the ear, just end to end so they meet in the center.

Then pin the ears in place on the head

then you need to ladder stitch the ears in place while they're pinned so they dont shift around, go all the way around the outside edge of each.

now you're almost done! next they just need a face! sugar mouse only needs embroidery by way of a french knot for both the eyes and nose (you can find good video tutorials on how to sew a french knot online), pip mouse will also need a french knot for the eyes but has a separate process for it's nose. (for the pip mouses nose you will need to leave the marked nose hole open and then stitch the nose fabric to the square nose backing in line with the dotted direction on the pattern, (it should look kind of baggy when it's unstuffed) sew it up completley with no hole, then cut a tiny slit in the backing and add polyfill there before closing with a basic stitch, then you ladder stitch the nose directly to the marked nose hole)

in order to hide the embroidery anchor knots i find the best way is to start by going down through the middle of the ears and then coming back up where you want the eye to be, and then going back down and up through the ear for the finishing knot, as it creates a very easy cover for them and looks nice and clean!

then you have yourself a little buddy!

haha they're great to squish! if you use this pattern i'd love to see your results!

[rinhaler]

Not me being an absolute slut for step dad Gojo and Uncle Nanami!?!? 😩 sharing is caring!

-Very Much Embarrassed Anon🫂

PERHAPS i got carried away but i hope u enjoy this !! luxe write something under 1k challenge: impossible x

warnings: 18+ MDNI, step/incest, fem!reader, step dad!gojo, uncle!nanamin, implied virgin!reader, threesome, vaginal sex, oral (m receiving), fingering, tit sucking, possessive!gojo, daddy kink, praise, pull out method, orgasm denial, noncon photo taking, slight oral fixation, hair pulling, face fucking.

words: 2.7k

“You know you’re too young for boys, right?” your step-father reminds you, like it’s a mantra he’s told you again and again for years. It isn’t a suggestion or a thought he’s choosing to share. It’s an instruction. “I don’t want you to think because you’re all grown up and going to college now that you can be reckless.”

“I- I know, Satoru.” you smile at him.

Both of your attention is stolen as you hear your uncle, Kento, laugh out a scoff. He tries to conceal it as he ruffles his newspaper and drinks his coffee. You see your step-dad’s brows furrow in annoyance. Or, anger. He looks at you, again, and his expression softens.

“I know you’re a good girl, sweetheart.” he tells you, wrapping his arms around your form and placing a kiss atop your head. Nanami’s eyes peer over his newspaper, locking with yours. A knowing glance to each other before a smirk finds his features. He raises his newspaper, shielding his face completely as he tries to focus on reading.

He lets you go, reluctantly, as you pick up your college bag and grab your phone.

His expression sours as he sees you reach for your phone, smiling at a text message you received. He shouldn’t pry. He knows he shouldn’t pry. But he can’t seem to stop himself as he finds himself leaning across the kitchen island and snatching your phone from your hands. And now he scoffs, scrolling through your messages and looking at the name at the top.

“What did I just say?” he speaks, only an octave away from yelling at you. Your lip wobbles, and he keeps your phone at arm’s length as you try to grab for it. He tosses it towards the kitchen table so Kento can look for himself.

“He was just asking if I needed picking up for my classes, Satoru! You don’t need to worry…” you tell him. Of course this would happen. He’s always been stupidly over protective.

“Well you don’t, do you? That’s what I’m here for. Hell, I’m sure even Nanami would be happy to take you since he came all of this way to spend his off time visiting you.” Gojo reminds you. And you feel a slight pang of guilt at that. You know how hard your poor uncle Nanamin works. He could be on vacation, somewhere tropical, unwinding from the humdrum of his boring office job. But here he is, sitting reading the newspaper and listening to you two argue with each other. “In fact, you’re grounded. I’m keeping your phone and you can forget about going to class today.”

“But—!”

“Don’t whine, I’ll write you a note.” he adds, walking around the counterspace to collect your phone from Nanami. He finishes scrolling, locking it, though he keeps hold of it. “Go upstairs.”

You huff, but grab your bag and do as you’re told. It’s not like he can stop you from being online. You can talk to people on your laptop, after all. Though given the mood he’s in you suppose you’ll have to be stealthy about it.

“You’re too harsh on her.” Kento tells Satoru, earning another disgruntled glance from him. He closes his newspaper and rests an ankle over his knee as he leans back and drinks the remainder of his coffee. “She’s curious, you can’t do anything about that. It’s not like she’ll stay a virgin forever.”

“Tch. Spare me.” he laughs lightly. “You think I don’t know why you’re here? I hear you, you know, when you sneak into her room at night.”

And Gojo revels in how the colour drains from Nanami’s face. He sits upright, his back stiffened straight and he starts to loosen his tie. He should have known, really, it was too good to be true. He should have known he’d always get caught eventually. But by Satoru Gojo of all people?

“I haven’t…” he clears his throat. “It’s not what you think.”

“Sure.” Satoru rolls his eyes. “If I’m bein’ honest… I don’t really care. Who am I to stop you? I’m not blood… like you. Sick fuck.” he laughs, sitting down at the table and looking into Nanami’s panic-stricken eyes.

Your uncle rests his elbows on the table and holds his head in his hands. What is Gojo plotting? Blackmail of some kind, maybe. It’s not like he’s concealed his disapproval for his sisters relationship with him. He’s tolerated him, sure, but he’s a nuisance he thinks his family would be better off without.

“I don’t like this either.” he throws your phone towards the white-haired man and sighs. “But she doesn’t respect you, Satoru. She doesn’t even call you dad. I think she sees you as temporary, so of course she isn’t going to listen to you. Not really.”

“But…” he leans over the table with a smug grin. “She respects you, doesn’t she? Her favourite uncle. I don’t like college guys, I remember what we were like in college, I don’t want her around that.”

“No… maybe she won’t go searching for it if she’s better educated.”

Gojo’s brow quirks in intrigue, a sadistic smile soon follows.

“Who knew a corporate goon could be such a sick fuck, hah?” Gojo laughs, picking up Nanami’s coffee mug for him and walking it to the sink to clean. Nanami rolls his eyes, burying his reddening face in his newspaper again.

You feel a surge of fear stab through you as you hear footsteps climb up the stairs. You hide your laptop back into your bag and turn on your TV, hurrying to find something to watch as a cover. But when you hear a knock, you relax, Satoru never knocks.

“Come in!” you speak, happily, welcoming your favourite and only uncle Nanamin into your room. Though your heart sinks as your step-father follows, crossing your arms across your chest as you huff and pout petulantly.

“Don’t be like that…” Nanami speaks softly, sitting on the edge of your bed and resting his hand on your thigh. “We need to talk to you. And we want to ask you something.” he continues. Your pout fades, then, a slight feeling of anxiety creeps into you as you wonder if something serious has happened.

And Satoru sits on the edge of the bed, too, his beaming blue eyes almost pierce through your heart as he begins to explain. How he’s just worried about you because he knows from experience how college guys can be. How he’s your dad no matter what and he just wants the best for you. And he thinks you need a little help in the right direction on your journey of self-discovery.

“I know you’re a woman now, sweetheart, but you’re still daddy’s little girl. Yeah? So, let daddy help.”

“He- with what?” you blink at him, dumbly, and the delighted snarl on his face almost chills you to the bone. He doesn’t speak right away, so you look at Nanami. But it’s like he can’t bear to look at you as he sinks his head low with shame. “With what?” you ask again.

 “Well, Nanami said you’re curious. So he’s been fucking you, right?”

“No!” you and your uncle yell simultaneously. Did he really tell your insufferable step-father something so personal?

“I told you, I haven’t slept with her. Don’t tease her or you’ll make things worse.” Nanami clarifies before he focuses his attention on you. “But you are curious, aren’t you? You’re getting attention from boys and you’re enjoying it, clearly. They aren’t good for you though, princess. They don’t know how to treat girls right.”

You hum, softly, as he pushes your legs apart, revealing your pink cotton panties to the two of them as they continue to talk you through their thought process. And the touch of your uncle Nanamin is your ultimate weakness. They both get a live response to his action as your pretty pussy starts to gift your panties with a dark, sticky patch between your dewy folds.

“Boys that age, sweetheart, they don’t know what they’re doing. Do you touch yourself? ‘m sure you do, I’m not naïve enough to think otherwise. But that means you like to cum, yeah? These college guys don’t care about that. They just want a little hole to cum in and defile. And we think you deserve better than that.” Satoru explains, his inquisitive fingers begin to prod at your puffy cunt, though you trap his hand between your plush thighs.

“Satoru…” you respond, bashfully.

“No.” he speaks, grabbing your thighs and pulling you down the bed and towards himself. He looks mad, but there’s no real malice behind it. Still your heart is pounding. “I’m your dad like he is your uncle. I’m not Satoru. Who am I?” he asks, reaching under your skirt to pull down your panties.

“D-Daddy… you’re daddy. ‘m sorry.” you whimper. Your eyes flutter as his long fingers invade your pretty, virgin walls. “Hng—!”

“Gooood girl.” he smiles as he begins to curl them upwards. “I slipped right on in, has uncle Kento gotten you used to taking his fingers?”

“Mhmm…” you blush. The man in question bends down to kiss you.

It’s sweet, though you find yourself grabby and desperate as you follow his lead. He pulls away to undress you, unbuttoning your shirt and then his own after throwing away his tie. He helps you out of your bra, and you instinctively go to cover your nipples as you remember who you’re actually in the company of. But Nanami doesn’t want that. He locks his fingers with yours, holding your hands above your head as he begins to suckle on them until they’re both puckered and raw.

“Sit her up, and sit behind her.” Satoru tells his brother-in-law. And of course he acquiesces. You’re moved like you’re weightless as your uncle sits behind you, his clothed cock pressing angrily into the curve of your spine as he continues to torment your tits. Satoru pulls his fingers out of your cunt and sucks them clean, smiling at how your eyes begin to sparkle with wonder as he puts on such a display. “Do not tell your mother about this, understand?”

You nod, obediently. You wouldn’t dream of telling her something so scandalous. Though it does fill you with a slight sense of pride as your Satoru makes it abundantly clear how desperately he’d longed to be the first person to explore your untouched core. He pulls down his trousers and you moan at his smooth, pink cockhead. Though right now it’s closer to an angry shade of red.

He really is desperate.

You wince, slightly, as he pushes his tip inside. Though he retracts it, coating his head in your wetness.

“Fuuuuck, you weren’t lyin’. You really never fucked her, huh Nanami?” Gojo chuckles as he pushes in deeper and deeper. Nanami slots his fingers into your mouth to suck on as you accommodate to the length. “Relax, baby. Clampin’ so much you’re gonna push me out.” he laughs shallowly, his thrusts matching as he begins to work you open.

“D-Daddy!” you gasp, back arching against Nanami’s chest before he pulls you back towards him.

“We’re so proud of you, princess.” Nanami shushes you, placing a kiss to your temple. You look at him with wide, trusting eyes, though he can’t really concentrate as his own fixate on the way your tits bounce with each thrust Gojo inflicts onto you. “Why don’t you show your dad how I taught you to suck cock, hm?”

“Oh? Now that I’d like to see.” Gojo smiles, pulling out of you briefly. The sound of your sticky walls echoes through the room as he pulls out. The men help you onto all fours, and your daddy slots himself right back into your tight heat. The adjusted angle makes you fall forward, your head lolling as he finds a nice little trigger inside of you. “Oh… there, huh? Okay, baby. I’ll fuck you right there.” Satoru tells you as he begins to fuck into you before slowing down.

Nanami takes his cock out of his briefs, tapping the tip against your swollen lips. They open, obediently, and you lick the precum he’s spilling directly from the source. Your hole flutters as he hisses, enamoured by the sensation.

“Perfect, princess. Such a good little girl for me.” Kento comments, and your heart beats harder. You’re almost robbed of all sense as Gojo pistons his hips into you, and he leans forward to grab your hair and wrap it into a makeshift ponytail.

“Now that I’m thinking about it, Kento, maybe we should teach her how college boys fuck. Since she wanted that experience so badly.” Satoru proposes, and Nanami considers it. He really considers it. And Gojo chuckles at that. “Go on… show her.”

Nanami nods, grabbing the sides of your head and fucking your face like you’re his own personal cocksleeve.

It’s relentless and dizzying and you don’t know how to settle. You can’t possibly as you’re ruined from both ends. There’s no reprieve, there’s no way to relax. You’re trembling and moaning and fuck you never knew sex could be so intense. Nanami is always calm and patient with you. But this isn’t that.

They’ve ran out of patience with you.

It doesn’t matter which way you try to retreat, you’re only encouraging the other one. More of Nanami’s cock down your throat and more of Gojo’s hitting your g-spot.

“W-We’ll have to get you on the pill, sweetheart.” Gojo tells you, but it’s more like he’s telling himself. He knows he can’t cum inside. He can’t, but fuck, he wants to. He fucking needs to. “College guys, they like- leaving their- mark.” he thrusts again and again until he’s on the very brink of blowing his load. But his life won’t be worth living if he knocks his cute little daughter up. His marriage will be over. He’ll lose everything.

And with that, he pulls out and coats your pussy lips with his sperm. The loss of feeling from inside makes you cry out around Nanami’s length, though you still can’t pull away from him as he continues to use your mouth as his own personal toy. You never knew your uncle Nanamin had this side to him.

He’s usually so sweet and patient.

He pulls out, too, depriving you of the taste of his cum and the chance to prove what a good girl you are. Though you take his load beautifully as he shoots soupy ropes across your pretty face. His heart skips a beat as your false lashes flutter and he realises a heavy glob stuck to them.

“College guys, sweetheart, might take pictures of you like this.” Satoru pulls his phone from his back pocket and takes a few photos of your quivering cunt. You’ve been neglected in the worst way, and it’s dawning on you now what he had meant by giving you the college experience. He tosses his phone to Nanami, encouraging him to do the same. Your innocent and betrayed face is captured so perfectly through the lens of the phone, Nanami’s pearly seed is the perfect colour for your complexion.

“College guys would send these around to their friends too, you know.” Nanami warns you.

“But we’ll just keep these between ourselves.” Satoru promises you. “I think it’s only fair we didn’t let you cum this time since you were so intent on disobeying your daddy.”

“I think she’s learnt her lesson, though, Satoru.” Nanami speaks, pulling your hair so that you can look up at him and he can identify if you dare to lie to him. “Fucking college boys doesn’t sound that fun anymore, does it? Say sorry, princess. Your dad might let you cum next time if you’re a good girl.”

You sniff, and hiccup, unsure of where to look.

“’m s-sorry, daddy.” you sniffle, Nanami releases your hair and allows you to look back at Gojo, a wild grin on his face.

“Awe… sweet.” Gojo smiles, circling the bed so he’s standing beside Nanami, both of their eyes bore down at you with an intensity you’ve never felt before. “I think we’re owed a thank you, we took the time to teach you such an important lesson, after all.”

“T-Thank you,” you sniff, again, “Thank you, d-daddy. Thank you, uncle Nanamin.”

© 2023 rinitxshi

[vanteguccir]

Thinking about boyfriend Matt that has a girlfriend that lives by herself and everytime she gests new forniture, she calls him like "Baby, can you come put this together for me? Thank you". I also think she would try to help and Matt would be tottally against it (not sure about this last part tho). Please write this.

── ୨୧ !　BLURB

matt sturniolo x reader

where Y/N loves to buy new furniture for her home, and Matt is the one she always goes to to ask to put it together <3

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Y/N had a knack for making her little apartment feel like home. Every few weeks, she'd spot something online; a new bookshelf, a cozy chair, or a quirky table, and decide that it was exactly what her space needed. But there was one catch: she wasn’t exactly a pro at assembling furniture. That’s where Matt came in.

The late afternoon sunlight filtered through the curtains of Y/N’s living room as she admired the large box that had just been delivered. It was a new coffee table, one she’d been eyeing for weeks. Knowing full well that she wasn’t going to tackle it on her own, she reached for her phone.

"Hey, baby." Y/N's voice was warm and playful as Matt answered on the first ring.

"Hey, dove. What’s up?" Matt replied, his tone softening at the sound of her voice.

Y/N glanced at the box.

"I got a little something for the living room. Think you could come over and help me put it together?"

Matt chuckled, already grabbing his car keys.

"Let me guess, another piece of furniture?"

"You know me too well." She grinned. "But yes, please? I promise to make us dinner afterward."

"On my way." Matt said without hesitation, already heading out the door. The thought of seeing her, even if it was to assemble something as simple as a coffee table, was more than enough to make his day.

About twenty minutes later, Matt arrived at Y/N’s apartment, greeted by her bright smile and the unmistakable excitement in her eyes. She stood in the doorway, barefoot and wearing one of his oversized hoodies; something that made Matt’s heart do a little flip every time he saw her in it.

"Thanks for coming." Y/N said, stepping aside to let him in. She watched as Matt eyed the box in the middle of the living room.

"Another project, huh?" He teased, approaching the box.

"Yeah, but I promise this is the last one for a while." Y/N laughed, knowing full well she’d probably find something new soon enough. She kneeled beside him, ready to help.

Matt quickly shook his head, gently nudging her hand away from the box.

"Uh-uh, you just sit back and relax, okay? I’ve got this."

"But I want to help!" Y/N protested, though there was no real determination in her voice. She knew he loved doing things like this for her on his own.

"No way." Matt insisted, his tone gentle but firm. He gave her a playful look, then tapped her nose lightly. "I can handle it. Just sit on the couch and look pretty while keeping me company. That’s all I need from you."

Y/N sighed, feigning disappointment, but the smile tugging at her lips betrayed her. She settled onto the couch, tucking her legs beneath her as she watched him. There was something incredibly comforting about the way Matt moved around her space, confidently taking charge of the task. His broad shoulders flexed beneath his shirt as he opened the box and started laying out the pieces.

"How do you even know what all these parts are?" Y/N asked, genuinely impressed as Matt made quick work of organizing the screws, panels, and tools.

Matt shrugged, flashing her a grin.

"Just good at following instructions, I guess. Plus, it’s kind of fun."

"Fun?" Y/N echoed with a laugh. "You’re putting together furniture, not playing a game."

"Maybe." He said, glancing over at her, his eyes full of warmth. "But it’s for you, so that makes it fun."

Her heart swelled at his words. Watching Matt carefully assemble the table, piece by piece, she couldn’t help but feel a deep sense of gratitude. It wasn’t just about the furniture; it was about the way he cared for her, the way he was always there to help without a second thought. It was the little things, like how he’d insist on doing the heavy lifting, or how he’d make sure every screw was tightened perfectly so she wouldn’t have to worry about anything.

After a while, the coffee table began to take shape. Y/N couldn’t resist getting up and kneeling beside him again, pretending to inspect his work.

"Looks good." She remarked, trying to keep her tone serious.

"Of course it does." Matt said with a chuckle. "I’m a professional."

She leaned in closer, teasingly brushing her fingers against his biceps.

"Maybe I should double-check, you know, just in case."

Matt rolled his eyes, but his smile was wide.

"If you want, but I guarantee it’s perfect."

Y/N gave him a look of mock suspicion before placing a soft kiss on his cheek.

"I trust you."

Matt’s hands paused for a moment, his eyes flickering to her with a mix of affection and pride. He reached out, tucking a strand of hair behind her ear.

"You better."

With the table finally assembled, Matt stood up, stretching his arms above his head, his pink shirt riding up slightly, displaying his tummy to Y/N’s eyes.

"Done." He announced, stepping back to admire his work.

Y/N clapped her hands together, genuinely impressed.

"It looks amazing, baby. Thank you."

"Anything for you." Matt replied, his voice sincere. He watched as Y/N excitedly placed a few decorative items on the table, her eyes lighting up at how perfectly it fit into her living room.

"Okay, now that you’ve put that together…" Y/N began, trailing off as she looked at him with a playful smirk.

Matt raised an eyebrow, sensing where this was going.

"Oh no, what else did you order?"

Y/N laughed, wrapping her arms around his waist and leaning her head against his chest.

"Nothing… yet."

Matt shook his head, smiling down at her.

"You’re lucky I love you."

"I know." Y/N murmured, looking up at him with pure adoration. "And I’m so lucky to have you."

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[bearsintreesofficial]

if you're reading this, hear me out.

hi! we're a band from south london called bears in trees. we're a bit like if BTS decided they wanted to be a hardcore band.

my name is nick; i'm the one in the fall out boy tee. we released a new album at the start of summer. it's called how to build an ocean: instructions.

i'm writing this because we released it entirely independently. no record label; just four kids from south london and a dream. that means it's a little harder to get people to hear it, but honestly? i think a lot of people might like it. so i'm gonna talk about what the album is like, and you can decide if you want to check it out.

if you're looking for songs about...

- being afraid of intimacy yet craving it at the same time!

- living with a chronic illness!

- not being able to define yourself without relating to your comfort characters!

- realising not every moment has to be The Moment of All Time!

- falling out of touch with friends you cherished online!

...there's more, but y'know. those are some of the Big Ones.

like i said; we released it by ourselves. that means we rely entirely on word of mouth and on people taking a chance on us. so if you think this album is for you? it would mean a lot if you could reblog this, or tag a mutual you think might like us. that way, we can keep on writing these silly songs about finding hope in comfort characters and maybe? you might find hope in that too.

that's all really. thanks for reading.

listen to How to Build an Ocean: Instructions here.

[texas-gothic]

Dracula Daily Prep: Gather Your Paprikash!

It's that time of year again. Even as we speak, Jonathan Harker has departed for Transylvania, and the unhallowed halls of Castle Dracula. And as he makes his way towards that foreboding country, he will encounter a singular, most enticing of dishes: Paprika Hendl, or as we might know it better, Chicken Paprikash!

This traditional Central European dish explodes in popularity each May as we all gather around our virtual mess hall to enjoy the spirit of this most influential of gothic novels. Perhaps you yourself are considering throwing together a pot this year? Well, if you are, let this be your guide.

So, first, let's discuss the most important of the ingredients here: authentic hungarian paprika. Now, the recipe I first used last year called only for Sweet Paprika, but I personally found that version to be a little bland. I'm remedying this by adding some Hot Paprika as well. However, this is just my personal experimentation. Hungarian Hot Paprika can in fact be very hot, so if you're not comfortable with anything too spicy, feel free to opt only for the Sweet Paprika.

(Both of these I had to order online.)

Next, is another very important addition. As youre gathering your basic cornerstones of cooking (namely yellow onion, roma tomato, and garlic for this recipe) you may find yourself passing up on something that could vastly improve your dish. I'm talking, of course, about Hungarian Wax Peppers. These peppers range in heat, from meak and mild to slightly hotter than you'd average jalapeño. As per instruction, you should only use one. But on my end, I found the single pepper to be a little underwhelming, and I had trouble picking out it's flavor. So, this year, I'll be using two of them.

I got these from Central Market, an upmarket gorcer on Westheimer. They're a cousin of HEB, and you can find one or two in every major city in Texas. If you're elsewhere, try an alternative like Whole Foods, or try to find a European or International food market in your area.

Next, let's talk chicken. You can't have Chicken Paprkiash without the chicken, after all.

You're going to want to go with dark meat cuts for this. Traditionally the dish would use a mix of legs and thighs. Personally, I suggest using only the thighs, which you'll want to get bone-in and skin-on. The thigh provides a flater surface for browning than the leg, as well as more meat.

(A note on food safety, raw chicken will usually only last 2-3 days in the fridge. So you'll want to grab that fairly close to the day you're actually cooking this. If not, you can do what I'll be doing, and sticking it in the freezer until about 24 hours before I start cooking.)

So, as you gather your meat, produce, and spice you're probably asking yourself, "what on Earth am I going to be eating this with?" And the answer to that is spaetzle! A popular dumpling present in lots of Central European cooking, this is exactly what you need to tie this all together.

Now, while you should be able to find some in the international isle of most major grocers, you might also have to visit an international food store, or perhaps something more upmarket. If none of these options work, then there are a variety of other side dishes that work just as well. Egg noodles are a very popular choice, and in my very American attempt last year, I found that mashed potatoes work especially well.

Now that you've got all these things together, you're very nearly done. All that's left is the thickener. Paprikash is thickened using a blend of flour, heavy whipping cream, and sour cream. We'll get onto preparing this mixture in my post on actually cooking the paprikash, but until then, acquiring them should be a cake walk at any place food items are sold.

Now that will conclude the actual grocery list for just the Paprikash itself, but I do have one more pointer on how to really liven up this meal. Now, if you're under 21 or if perhaps you take after our dear, depraved, beloathed Count

Then you can skip this next bit. As a wine professional myself, I find that a well paired glass can add a tremendous flare to nearly any already great dinner. In the case of something like Chicken Paprkiash, and keeping with the Central European theme, I could hardly think of a better match than a good German Pinot Noir, also known as a Spatburgunder. Pinot from Germany typically has a very light body and a refreshing acidity that plays very well with the rich and creamy sauce of Chicken Paprikash. The palate of earth and red fruit should always pair nicely with the smoke of the paprika, as well as being a general good partner for any chicken. I myself am going with this 2020 Rheingau from August Kesseler.

And with that, we are done! Hit those checkout isles and make sure to get home before dark. Terrible things have sway over the world once the sun has gone down. So if the crowd does keep you locked up until nightfall, make sure to graciously accept any crucifixes given to you by kindly, elderly grandmothers and inn keepers. But whatever you do, make sure to pop in on Friday, when I'll be sharing a step by step guide on taking these ingredients and turning them into a dinner that will make our good friend Jonathan go red as a fire truck!

Happy Dracula Week everybody!

[felassan]

Edge – The Future of Interactive Entertainment magazine, issue #401 (October 2024 issue) – Dragon Age: The Veilguard story

The rest of this post is under a cut for length.

Update: this issue of this magazine is now available to buy from UK retailers today. it can be purchased online at [this link]. [Tweet from Edge Online] also, Kala found that a digital version of the magazine can be read at [this link].

This post is a word-for-word transcription of the full article on DA:TV in this issue of this magazine. DA:TV is the cover story of this issue. When transcribing, I tried to preserve as much of the formatting from the magazine as possible. Edge talked to BioWare devs for the creation of this article, so the article contains new quotes from the devs. the article is written by Jeremy Peel. There were no new screenshots or images from the game in the article. I also think that it contains a few lil bits of information that are new, like the bits on companions' availability and stumbling across the companions out and about on their own in the world e.g. finding Neve investigating an abduction case in Docktown.

tysm to @simpforsolas and their friend for kindly telling me about the article!!

-----

[image source]

Article introduction segment:

"[anecdote about Edge] We were reminded of this minuscule episode in Edge's history during the creation of this issue's cover story, in which we discuss the inspiration behind Dragon Age: The Veilguard with its creators at BioWare. Notably, director John Epler remembers the studio experimenting with a number of approaches during the early phase of development before eventually locking in to what the game was supposed to be all along, above all else: 'a single-player, story-focused RPG'. As you'd expect from BioWare, though, that was really just a starting point, as we discovered on p54." BioWare draws back the Veil and ushers us into a new Dragon Age

"BEHIND THE CURTAIN BioWare's first true RPG in age age is as streamlined and pacey as a dragon in flight. By Jeremy Peel Game Dragon Age: The Veilguard Developer BioWare Publisher EA Format PC, PS5, Xbox Series Origin Canada Release Autumn

The Dragon Age universe wasn't born from a big bang or the palm of an ancient god. Instead, it was created to solve a problem. BioWare was tired of battling Hasbro during the making of Baldur's Gate and Neverwinter Nights, and wanted a Dungeons & Dragons-like setting of its own. A small team was instructed to invent a new fantasy world in which the studio could continue its groundbreaking work in the field of western RPGs, free of constraints.

Well, almost free. BioWare's leaders mandated that the makers of this new world stick to Eurocentric fantasy, and include a fireball spell - since studio co-founder Ray Muzyka had a weakness for offensive magic.

Beyond that, BioWare’s storytellers were empowered to infuse Dragon Age with their own voices and influences, leaning away from D&D’s alignment chart and towards a moral grayness that left fans of A Song Of Ice And Fire feeling warm and cozy.

In the two decades since, the world of Thedas – rather infamously and amusingly, a shortening of ‘the Dragon Age setting’ that stuck – has taken on a distinct flavor. It’s something director John Epler believes is rooted in characters.

“There’s definitely some standard fantasy stuff in Dragon Age, but everything in the world, every force, is because of someone,” he says. “The idea is that every group and faction needs to be represented by a person – someone you can relate to. Big political forces are fine as background, but they don’t provide you with those interesting story moments.”

Dragon Age: The Veilguard bears out that philosophy. The long-awaited sequel was first announced with the subtitle Dreadwolf, in reference to its antagonist, Solas – an ancient elf who once stripped his people of immortality as punishment for betraying one of their own. In doing so, Solas created the Veil, the thin barrier through which wizards pull spirits and demons invade the waking world. In other words, many of Dragon Age’s defining features, from its downtrodden elves to the uneasy relationship between mages and a fearful church, can be traced right back to one character’s decision.

“The world exists as it does because of Solas,” Epler says. “He shaped the world because of the kind of character he was. That’s, to me, what makes Dragon Age so interesting. Everything can tie back to a person who to some degree thought they were doing the right thing.”

Perhaps BioWare’s greatest achievement in slowburn character development, Solas is a former companion, an unexploded bomb who sat in the starting party of Dragon Age: Inquisition, introverted and useful enough to get by without suspicion. Yet by the time credits rolled around on the Trespasser DLC, players were left in no doubt as to the threat he presented.

Determined to reverse the damage he once caused, the Dreadwolf intends to pull down the Veil, destroying Thedas as we know it in the process. The next Dragon Age game was always intended to be his story.

“We set that up at the end of Trespasser,” Epler says. “There was no world where we were ever going to say, ‘And now let’s go to something completely different.’ We wanted to pay off that promise.”

Yet almost everything else about the fourth Dragon Age appears to have been in flux at one time. In 2019, reporter Jason Schreier revealed that an early version, starring a group of spies pulling off heists in the Tevinter Imperium, had been cancelled two years prior. Most of its staff were apparently moved onto BioWare’s struggling Anthem, while a tiny team rebooted Dragon Age from scratch. That new game was said to experiment with live-service components.

“We tried a bunch of different ideas early on,” Epler says. “But the form The Veilguard has taken is, in a lot of ways, the form that we were always pushing towards. We were just trying different ways to get there. There was that moment where we really settled on, ‘This is a singleplayer, story-focused RPG – and that’s all it needs to be’”.

Epler imagines a block of marble, from which BioWare was attempting to carve an elephant – a character- and story-driven game. “We were chipping away, and sometimes it looked more like an elephant and sometimes it didn’t”, he says. “And then we eventually realized: ‘Just make an elephant’. When we got to that, it almost just took shape by itself.”

2014’s Dragon Age: Inquisition was an open-world game commonly criticized for a slow-paced starting area which distracted players from the thrust of the plot. The Veilguard, in contrast, is mission-based, constructed with tighter, bespoke environments designed around its main story and cast. “We wanted to build a crafted, curated experience for the player,” Epler says. “Pacing is important to us, and making sure that the story stays front and center.”

Epler is very proud of Inquisition, the game on which he graduated from cinematic designer to a lead role (for its DLC). “But one of the things that we ran into on that project was an absentee antagonist,” he says. “Corypheus showed up and then disappeared. You spent ten hours in the Hinterland doing sidequests, and there wasn’t that sense of urgency.”

This time, The Veilguard team wants you to constantly feel the sword of Damocles dangling above your head as you play – a sense that the end of the world is coming if you don’t act. “There’s still exploration – there’s still the ability to go into some of these larger spaces and go off the beaten path to do sidequests,” Epler says. “But there’s always something in the story propelling you and the action forward, and allowing you to make decisions with these characters where the stakes feel a lot more immediate and present. And also, honestly, more real.”

No sooner have you finished character creation than Dragon Age: The Veilguard thrusts you into a choice. As your protagonist, Rook, steps into focus on the doorstep of the seediest bar in town, you decide whether to threaten the owner for information or make a deal. Brawl or no, you’ll walk out minutes later with a lead: the location of a private investigator named Neve Gallus, who can help you track down Solas.

You proceed into Minrathous, the largest city in Thedas and capital of the Tevinter Imperium – a region only alluded to in other Dragon Age games. It’s a place built on the backs of slaves and great mages, resulting in tiered palaces and floating spires – a kind of architecture unimaginable to those in the southern nations.

“When your Dragon Age: Inquisition companion Dorian joins you in Orlais, in one of the biggest cities in Thedas, he mentions that it’s quaint and cute compared to Minrathous,” Corinne Busche, game director on The Veilguard, says. “That one bit of dialogue was our guiding principle on how to realize this city. It is sprawling. It is lived-in. Sometimes it’s grimy, sometimes it’s bougie. But it is expansive.”

Immediately, you can see the impact of BioWare’s decision to tighten its focus. Around every other corner in Minrathous is an exquisitely framed view, a level of spectacle you would never see in Inquisition, where resources were spread much more thinly. “When you know that you’re gonna be heading down a canyon or into this plaza where the buildings open up, you have those perfect spots to put a nice big temple of Andraste or a mage tower,” art director Matthew Rhodes says. “You get those opportunities to really hit that hard.”

BioWare’s intention is to make strong visual statements that deliver on decades of worldbuilding. “People who have a history with Dragon Age have thought about what Minrathous might be like,” Rhodes says. “We can never compete with their imagination, but we can aim for it like we’re shooting for the Moon.”

The people of Tevinter use magic as it if were electricity, as evidenced by the glowing sigils that adorn the dark buildings – street signs evoking Osaka’s riverfront or the LA of Blade Runner. They’re just one of the tricks BioWare’s art team uses to invite you to stop and take in the scene. “A lot of what you start to notice when you’re the artist who’s been working on these big, beautiful vistas and neat murals on the walls is how few players look up,” Rhodes says. “We design props and architecture that help lead the eyes.”

For the really dedicated shoegazers, BioWare has invested in ray-traced reflections, so that the neon signage can be appreciated in the puddles. There are also metal grates through which you can see the storm drains below. “The idea behind that is purely just to remind the player often of how stacked the city is,” Rhodes says. “Wherever you’re standing, there’s guaranteed to be more below you and above you.”

One of BioWare’s core creative principles for The Veilguard is to create a world that’s actually worth saving – somewhere you can imagine wanting to stick around in, once the crises of the main quest are over. To that end, the team has looked to ground its outlandish environments with elements of mundanity.

“A guy’s normal everyday life walking down the streets of this city is more spectacular than what the queen of Orlais is seeing, at least in terms of sheer scale," Rhodes says. “One of the things we’ve tried to strike a balance with is that this is actually still a place where people have to go to the market and buy bread, raise their kids, and try to make it. It’s a grand and magical city, but how do you get your horses from one place to the next? Where do you load the barrels for the tavern? It’s really fun to think of those things simultaneously.”

Normal life in Minrathous is not yours to behold for long, however. Within a couple of minutes of your arrival, the very air is ripped open like cheap drapes, and flaming demons clatter through the merchant carts that line the city streets. A terrible magical ritual, through which Solas intends to stitch together a new reality, has begun.

“We wanted the prologue to feel like the finale of any other game we’ve done,” Busche explains. “Where it puts you right into this media-res attack on a city and gets you really invested in the action and the story right away. When I think back to Inquisition, how the sky was literally tearing open – the impact of this ritual really makes that look like a minor inconvenience.”

Our hero is confronted by a Pride demon, imposing and armored as in previous games, yet accented by exposed, bright lines that seem to burst from its ribcage. “They are a creature of raw negative emotion,” Busche says. “So we wanted to actually incorporate that into their visual design with this glowing nervous system.”

When a pack of smaller demons blocks Rook’s route to the plaza where Neve was last seen, battle breaks out, and The Veilguard’s greatest divergence from previous Dragon Age games becomes apparent. Our rogue protagonist flits between targets up close and evades individual sword swings with precision. In the chaos, he swaps back and forth between blades and a bow. He blends light and heavy attacks, and takes advantage of any gap in the melee to charge up even bigger blows.

“Responsiveness was our first-and-foremost goal with this baseline layer of the combat system,” Busche says. Unless you’re activating a high-risk, high-reward ability such as a charged attack, any action can be animation-cancelled, allowing you to abort a sword swing and dive away if an enemy lunges too close. “We very much wanted you to feel like you exist in this space, as you’re going through these really crafted, hand-touched worlds,” Busche says. “That you’re on the ground in control of every action, every block, every dodge.” Anyone who’s ever bounced off a Soulslike needn’t worry: The Veilguard’s highly customizable difficulty settings enable you to loosen up parry windows if they prove too demanding.

Gone is the overhead tactical camera which, for some players, was a crucial point of connection between Dragon Age and the Baldur’s Gate games that came before, tapping into a lineage of thoughtful, tabletop-inspired combat. Epler points out that the camera’s prior inclusion had an enormous impact on where the game’s battles took place. “We actually had a mandate on Inquisition, which was, ‘Don’t fight inside,’” he says. “The amount of extra work on getting that tactical camera to work in a lot of those internal environments, it was very challenging.”

Gone, too, is the ability to steer your comrades directly. “On the experiential side, we wanted you to feel like you are Rook – you’re in this world, you’re really focused on your actions,” Busche says. “We very much wanted the companions to feel like they, as fully realized characters, are in control of their own actions. They make their own decisions. You, as the leader of this crew, can influence and direct and command them, but they are their own people.”

It's an idea with merit, albeit one that could be read as spin. “It’s not lost on me,” Busche says. “I will admit that, on paper, if you just read that you have no ability to control your companions, it might feel like something was taken away. But in our testing and validating with players, what we find is they’re more engaged than ever.”

There may be a couple of reasons for that. One is that Dragon Age’s newly dynamic action leaves little room for seconds spent swapping between perspectives. “This is a much higher actions-per-minute game,” Busche says. “It is more technically demanding on the player. So when we tried allowing you full control of your companions as well, what we’ve found is it wasn’t actually adding to the experience. In fact, in some ways it was detrimental, given the demanding nature of just controlling your own character.”

Then there’s The Veilguard’s own tactical layer, as described by BioWare. Though the fighting might be faster and lower, like a mana-fuelled sports scar, the studio is keen to stress that the pause button remains as important to the action as ever. This is, according to Busche, where the RPG depth shines through, as you evaluate the targets you’re facing and take their buffs into account: “Matching elemental types against weaknesses and resistances is a big key to success in this game.”

You pick between rogue, warrior and mage – each role later splitting again into deeper specialisms – and draw from a class-specific resource during fights. A rogue relies on Momentum, which is built up by avoiding damage and being highly aggressive, whereas a warrior is rewarded for blocking, parrying, and mitigating damage.

Those resources are then used on the ability wheel, which pauses the game and allows you to consider your options. The bottom quadrant of the wheel belongs to your character, and is where three primary abilities will be housed. “Rook will also have access to runes, which function as an ability, and a special ultimate ability,” Busche says. “So you’re bringing five distinct abilities with you into combat.”

The sections to the left and right of the wheel, meanwhile, are dedicated to your companions. Busche points to Lace Harding, the returning rogue from Inquisition, who is currently frozen mid-jump. “She is her own realized individual in this game. She’s got her own behaviors: how she prioritizes targets, whether she gets up close and draws aggro or stays farther back at range. But you’ll be able to direct her in combat by activating her abilities from the wheel.”

These abilities are complemented by positional options at the top of the wheel, where you can instruct your companions to focus their efforts on specific targets, either together or individually. Doing so will activate the various buffs, debuffs and damage enhancements inherent in their weapons and gear. “So,” Busche explains, “as you progress through the first two hours of the game, this full ability wheel is completely populated with a variety of options and different tactics that you can then string together.”

BioWare has leaned into combos. You might tell one companion to unleash a gravity-well effect that gathers enemies together, then have another slow time. Finally, you could drop an AOE attack on your clustered and slowed opponents, dealing maximum damage. The interface will let you know when an opportunity to blend two companion abilities emerges – moments BioWare has dubbed ‘combo detonations’.

“I like to think about this strategic layer to combat as a huddle,” Busche says, “where you’re figuring out how you want to handle the situation, based on the information you have on the encounter, and how you and your companions synergize together.”

Deeper into the game, as encounters get more challenging, Epler says we’ll be spending a lot of time making “very specific and very focused tactical decisions”. The proof will be in eating the Fereldan fluffy mackerel pudding, of course, but Busche insists this shift to fast action isn’t a simplification. “What really makes the combat system and indeed the extension into the progression system work is that pause-and-play tactical element that we know our players expect.”

The autonomy of The Veilguard’s companions doesn’t end with combat. BioWare’s data shows that in previous games players tended to stick with the same two or three beloved comrades during a playthrough. This time, however, you’ll be forced to mix your squad up at regular intervals.

“We do expect that players will have favorites they typically want to adventure with,” Busche says, “but sometimes certain companions will be mandatory.” Others may not always be available – part of the studio’s effort to convince with three-dimensional characters. “They do have a life outside of Rook, the main character,” Busche says.

"They'll fall in love with people in this world. They’ve had past experiences they’ll share with you if you allow them in and get close to them.”

Being separated from your companions, rather than collecting them all in a kind of stasis at camp, allows you to stumble across them unexpectedly. Busche describes an instance in which, while exploring the Docktown section of Minrathous, you might bump into Neve as she investigates an abduction case. “If I go and interact with her, I can actually stop what I’m doing, pick up her arc and adventure with her throughout her part of the story,” Busche says. “What’s interesting is that all of the companion arcs do ultimately tie back to the themes of the main critical path, but they also have their own unique challenges and villains, and take place over the course of many different intimate moments.”

Some parts of a companion’s quest arc involve combat, while others don’t. Some are made up of large and meaningful missions – as lavish and involved as those along the critical path. “While they are optional, I would be hesitant to call them side content in this game,” Busche says. If you choose not to engage with some of these companion-centered events, they’ll resolve on their own. “And it might have interesting implications.”

The Veilguard promises plenty of change, then, even as it picks up the threads of fan-favorite characters and deepens them, honoring the decades of worldbuilding that came before it. This is perhaps the enduring and alluring paradox of Dragon Age: a beloved series which has never had a direct and immediate sequel, nor a recurring protagonist. Instead, it’s been reinvented with each new entry.

“It’s a mixed blessing to some degree,” Epler says. “The upside is always that it gives us more room to experiment and to try new things. There are parts of the series that are common to every game: it’s always an RPG, it’s always about characters, and we always want to have that strategic tactical combat where you’re forced to make challenging decisions. But at the end of the day, I think what makes Dragon Age Dragon Age is that each one feels a little bit different.”"

Q&A Matthew Rhodes Art director

Q. Early BioWare RPGs were literary, with the emotions and detail mostly happening in dialogue boxes. How have you seen the studio's approach to visual storytelling evolve? A. This has been my entire career. When I first showed up at BioWare, it was at the tail end of Jade Empire, and then I was working on Dragon Age: Origins and early Mass Effect. The games had taken that next step out of sprites and 2D models, and it was like: 'How do we say more? How do we communicate more clearly?' During those early days, a lot of games depended on words to fix everything for you. As long as your character was talking bombastically, you could lend them everything that they needed. But as time went on it also became a visual medium, and it's been this long journey of trying to establish art's seat at the table. I've worked with some great writers over the years, and art is also an essential part of the storytelling. From Dragon Age: Inquisition on, I've been trying to stress with my teams that we are a story department.

Q. Is part of that also letting writers know that your storytelling assistance is available, to help them show rather than tell? A. On The Veilguard, that principle has been operating the best I've seen it. Where you would need a paragraph of dialogue in one of those exposition moments where a character just talks to you, we could sell that with a broken statue or a skeleton overgrown with vines. We've had more opportunities to do that on The Veilguard than most of the projects I've ever worked on combined.

To a hammer, every problem looks like a nail, and so in every department, writing will try to solve it with more words, and art will try to solve it with more art. I've bumped up against moments where it's like, 'As much as we could keep hammering on this design, I think this is actually an audio solution.' And then you take it to audio, and you don't get that overcooked feeling where each team is just trying to solve it in their silo. It's a really creatively charged kind of environment.

[main body of article ends here]

Additional from throughout the article --

Image caption: “Spotlights shine down from the city guards’ base as they pursue you through the streets of Minrathous.”

Image caption: “While most of your companions can be sorted into comfortingly familiar RPG classes, The Veilguard introduces two new varieties: a Veil Jumper and a private investigator.”"

Image caption [on this Solas ritual concept art specifically]: “The name previously given to the game – Dreadwolf – was a direct reference to Solas. Your former companion, now on his own destructive mission, still features, despite the name change.”

Text in a side box:

"RATIONAL ANTHEM The hard lesson BioWare drew from Anthem was to play to its strengths. “We’re a studio that has always been built around digging deep on storytelling and roleplaying,” Epler says. “I’m proud of a lot of things on Anthem – I was on that project for a year and a half. But at the end of the day we were building a game focused on something we were not necessarily as proficient at. For me and for the team, the biggest lesson was to know what you’re good at and then double down on it. Don’t spread yourselves too thin. Don’t try to do a bunch of different things you don’t have the expertise to do. A lot of the people on this team came here to build a story-focused, singleplayer RPG."

Image caption: “In combat you no longer control your companions directly – this is a faster-paced form of fighting – but you are able to direct them in combat, and can even blend their abilities in ‘combo detonations’.”

Image caption: “You’ll be exploring new regions across Tevinter and beyond – Rivain is a certainty, and that’s only accessible via Antiva travelling overland.”

Image caption: “There are three specializations per character class; on the way to unlocking them you’ll acquire a range of abilities.”

Text in a side box:

"MEET YOUR MAKER “Full disclosure: Dragon Age has traditionally not done skin tones well, especially for people of color,” Busche says. “We wanted to do a make-good here.” In The Veilguard’s character creator, you can adjust the amount of melanin that comes through in the skin, as well as test various lighting scenarios to ensure your protagonist looks exactly as you intend in cutscenes. “Speaking of our first creative principle – be who you want to be – we really feel these are the kinds of features that unlock that for our players,” Busche says. “We want everyone to be able to see themselves in this game.” For the first time in the series, your body type is fully customizable too, with animations, armor and even romantic scenes reflecting your choices."

Image caption: “Your companions are a mix of old and new – Lace Harding is a familiar face. Veil Jumper Bellara is new, with a new occupation, while Davrin is a new face with a familiar profession – he’s a Warden.”

Image caption: "Arlathan Forest is home to the ruined city of the elves, now a place of wild magic, Veil Jumpers and (allegedly) spirits".

Image caption: "Bellara is driven by a desire to learn more about the elves, rediscovering the shattered history and magic of her people."

[source: Edge – The Future of Interactive Entertainment magazine, issue #401 (October 2024 issue) - it can be purchased online at [this link].]

[freshstitches]

I finally published the project for my dice roll scarf that went viral last month. If you love dice games, you'll enjoy knitting this pattern.

The color work in this project is determined by an algorithm, a set of rules that determine the final outcome. There isn't an exact set of instructions for this project. Instead, the knitter uses four 10-sided dice or a random number generator to pick the length of the colorwork in each row. 

The result is a staggered stripe sequence along the edge of the shawl. There are trillions of unique outcomes, so no two projects turn out exactly alike. The pattern uses about 500 yards of yarn in total, but the amount of each color that you'll need is randomly determined. Before publishing, I wanted to find out the minimum and maximum amount of each color required to make the project and the probability of each outcome.

The knowledge needed to calculate the yardage was a bit beyond my skill level, but my friend Mary W. Martin helped me gather this info. I used an online probability calculator to find out the probability of each unique stitch count. The results are slightly different depending on whether you use four 10-sided dice (blue) or pick a random number (yellow), but 99% of all possible results fall within a very small range. 

It was an interesting little tangent, but not hugely important to the actual knitting pattern. I can, however, confidently say there is a >99.9% chance that you'll need a 2nd skein of the main color. If you want to know more about the math, you should check out my project notes on Ravelry. 

The thick and thin striped colorwork is created with a super simple "long stitch" technique. The pattern looks great in fluffy mohair or contrasting colors of basic wool and the instructions include some basic tips for substituting yarns or changing the gauge.

Finished Size: 18 x 68” (46 x 172 cm) rectangular wrap.

Yarn: Approx. 315 yards (288 m) of MC and approx. 264 yards (241 m) of CC. Yardage may vary, see notes on yardage below and yardage chart in photos.

• Main Color (2 skeins) - JMR Studio Worsted Weight Mohair, 245 yards (225 m) per 4 oz; 78% Mohair, 13% Wool, 9% Nylon.

• Contrast Color (1 skein each, both yarns held together) - JMR Studio Fingering Weight Mohair, 320 yards (293 m) per 100g; 63% Silk, 23% Kid Mohair, 11% Nylon, 3% Polyester Held with Lavender Lune Yarn Co. Suri Alpaca, 328 yards (300 m) per 50g; 74% Suri Alpaca, 26% Silk.

Yardage: The amount of each color used for this pattern fluctuates based on the random numbers used to determine the stitch pattern. MC uses approx. 233 to 315 yards (213 to 288m) and CC uses approx. 182 to 264 yards (166 to 241m). 99% of possible results fall within a much smaller range. The Yardage Chart shows the distribution of all potential yardage outcomes.

Needles: Size 8 (5 mm) straight needles, or size needed to obtain gauge. NOTE: Straight needles work best with long stitches. Circular needles with a thin cord allow the long stitches to tighten and stretch, making them harder to manipulate.

Gauge: 12 sts x 14 rows = 4 x 4” (10 x 10 cm) square in pattern.

Other Materials: 10 sided die or random number generator, stitch marker, scale, tapestry needle.

Generating numbers: In my sample, I used four ten-sided dice (D10) to choose a number between 4 and 40 sts. If you don't have dice, you can use an online app like RANDOM.org to generate your numbers. If you follow this link, you'll get a list of 63 integers between 4 and 40. NOTE: Each time you visit the link or refresh the page, the list changes. You can also just choose numbers as you knit.

Pattern is available on my website and on Ravelry.

[renthony]

On "Consuming Content"

Every now and then a post crosses my feed that follows the vein of, "you have to do things other than consume media or else you'll be a dumb person who doesn't know anything about how the real world works and does nothing but pointless fandom stuff."

I hate those posts for three major reasons, not counting the inherent ableism and classism of "you must have approved Smart People hobbies or else you're worthless" rhetoric:

You don't know what people do or talk about outside of what you see on their social media. Responding to fandom communities on a fandom-driven website as if all these people are one-note cardboard cutouts of people is asinine. In many cases this genre of post feels like repackaged 2012 tumblr "not like other girls" and hipster discourse. Yes, yes, you think you're better than everyone else on this website because your hobbies are less mainstream, more morally pure, and have greater intellectual merit, we get it.

What do you even mean by consuming content? As someone who purposely avoids using the phrase "consuming content" because I find the term too vague to be useful, please be more specific. Are you including every single form of media engagement and art enjoyment? Are you just talking about mainstream TV and film? What about novels? Plays and scripts? Nonfiction books and instruction manuals? Do you mean to imply that going to a book club is a worthless non-hobby? Are you including academic reading? Are you including going to the art museum? Going to the theatre, concerts, or other performances? Taped liveshows? Watching sports events on TV? Are you including news media? Are you including YouTube tutorials about how to do various tasks, crafts, or other hobbies? Are you including trade magazines? Are you including industry publications in various fields? What constitutes "content," and what constitutes "consuming" in this discourse? Define it. "Consuming content" is a nothing phrase that people use to mean multiple different things depending on what they, personally, judge as valid media. It's a buzzword at best, and when the same buzzword can be used to describe both "idly scrolling social media" and "reading and discussing a book," it's a meaningless phrase.

As an artist and author, if engaging with media is bad and worthless, am I supposed to conclude that making it is equally worthless? If "consuming content" is a bad, lazy, worthless, fake hobby, what makes creating art a worthwhile pursuit? If I am constantly being told as an artist that engaging with media isn't a worthwhile pursuit in its own right, and the people who want to engage with my art are just brainless fandom losers, what incentive do I have to make that art anymore? Furthermore, to everyone reading this paragraph and thinking, "that's not what content creation is," I refer you to bullet #2: If the phrase "make content" can be used to mean "low-effort posts made to advertise cheap and useless products" as well as "being a novelist" or "getting a gig as a writer on a TV show," it's a meaningless phrase.

None of that is even getting into issues such as the way influencers are preyed on by both brands and targeted harassment from trolls. Influencer culture has major issues, but boiling those issues down to "stupid vapid young people who are too lazy to make real art or get real jobs" (which is a mindset I see frequently online) is unhelpful. So many people pursue influencer deals because they're living in poverty but are skilled at various social media and advertising related tasks, and just like any worker, they're being exploited because they need to eat. Labor rights for influencers are a huge topic that entertainment industry unions have been actively discussing and working toward. (Related links for further info: [x] [x] [x] [x])

"Consuming content is not a hobby" is a worthless statement unless you define what you mean by both "consuming" and "content." Quite frankly, you also need to define "hobby," because if you're putting requirements on what is and isn't allowed to be a "real" hobby, you mostly just seem like you're moving goalposts and defining "worthwhile hobby" as "hobby I, personally, think is good." Use more specific language to articulate your actual problems with the entertainment industry, the art world, influencer culture, or whatever else you're actually upset by.

Media and fandom can involve any number of enriching, satisfying hobbies that take up a perfectly acceptable and healthy space in someone's life. If you aren't into it, go find hobbies you do like and stop policing how other people spend their precious free time in this nightmare hellscape of a world.

[pterribledinosaurdrawings]

I heard you make clothes, is there a specific way to make the patterns? Or do you find them online?

I draft all my own patterns, often based on diagrams of patterns copied from historical garments. I have an old post where I talked a bit about my patterning process, but it definitely won't work for everyone. I did learn to do drafting the "proper" way in college, which gave me a good start at understanding the shapes, but all the basic blocks we made aren't anywhere near the right cut or fit for the 18th century stuff I like to make.

You don't need to go to college to learn basic block drafting though, there are instructions in books and on the internet! You can make a basic block for a bodice, a sleeve, pants and/or a skirt, and once they're fitted to your measurements and you've learned a bit about pattern manipulation you can do many things with them. We used the same basic bodice block as a starting point for both corsets and tailored coats. Just make sure to always do mockups in a cheap fabric.

The Closet Historian has some videos on basic block drafting and dart manipulation and such. She mainly does vintage inspired feminine styles, but in college we did more or less the same dart placement on the basic bodice block wether or not the wearer had boobage. (I'm sure there are lots more tutorials out there too, but I haven't looked them up.)

Getting back to the more historical stuff, I have an old post with a lot of resource links which I keep meaning to make into a better organized post on my blogspot, but there's just so very much of it.

There are places to buy patterns online, but not having bought any of them I can't personally speak on their quality, and also every company has different focuses so it would depend on what you specifically want to sew. I mostly do 18th century menswear, so if I did want to buy patterns my options would be very few and far between.